Live macro 10i



Keywords: live macro 10i
Description: The Nikon 10-24mm is very sharp. It's reasonably resistant to ghosts but has a healthy dose of distortion. especially at the wide end. Compared to the 12-24mm. the 10-24mm is more cheaply built.

The Nikon 10-24mm is very sharp. It's reasonably resistant to ghosts but has a healthy dose of distortion. especially at the wide end.

Compared to the 12-24mm. the 10-24mm is more cheaply built. The 12-24mm was built to semi-pro standards, but this new 10-24mm feels more dinky and I suspect will break if you bang the front of it into anything hard enough. Hey, few people really need lenses that will last 75 years; if you do, you can still buy brand-new manual-focus AI-s lenses that will last longer than any of us.

Focus is easy: just grab the ring at any time for instant manual focus override, and if you do, you get back to autofocus as soon as you tap the shutter button.

How important is 10mm versus 12mm? I'm all about wide. 10mm lets you get closer to create images with deeper perspective and even more power than the 12mm end of the 12-24mm. Sharpness, distortion and all that mean nothing compared to the superior point-of-view you can get with a wider lens.

I don't know about you, but every shot I make with my 12-24mm is at the 12mm stop. Hooray for pushing that back to 10mm! These two silly little millimeters are everything; everything else is far less important than the stronger images I can make with those two less millimeters.

This is a great lightweight lens, but it's expensive. I'd also very seriously consider the Tokina 11-20mm f/2.8 DX which sells for less and is better made. If speed, build quality and price matters, get the Tokina. If zoom range matters, get this 10-24mm.

Everything works perfectly on every DX digital Nikon, and especially on Nikon's cheapest D40. D40x. D60 and D5000 .

If you use it on film or FX you'll get just a circular image in the center a10mm, marginal results at 15mm and perfectly fine results from 18-24mm.






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